디지털 건축의 비선형적 공간표현에 관한 연구

Abstract

Non-Linear space has complex and flexible interactions which make space deformed in non-linear way instead of simple and fixed ways. With the Industrial Revolution, as digital culture has developed rapidly, the concept of space pursues being new through development of non-linear paradigms and exploring non-linear figures due to complexity depends on digital media. Non-linearity by digital technology represents unpredictable, atypical and undefined phenomena in current society. Elements that help non-linear representation in digital architecture are interactions through which communication with users and feedback to them is possible, and diversified computer programs for chronological generation and forms, and gentle representation of forms. They significantly work for creation and deformation of free forms and non-linear representation. As digital architecture has bigger possibility as a practical plan by rapidly developing digital technology, not an imaginary plan, this study aims to analyse the concept of non-linearity by identifying recent tendency in space design and have a prospect on non-linearity as a way of future space design. For the study, we organized the concept and features of non-linearity for bibliographical examination and case analysis, based on which elements of architecture were extracted and an analysis table was developed for analyses of five architects and nine designs since 1990s. In selecting designs, cognitive maps of representative designs having non-linearity by five architects of UN Studio(Ben van Berkel), Peter D. Eisenman, Frank O, Ghery, NOX, and Zaha Hadid were considered. For the framework of case analysis, this study examined theories of non-linearity and representative elements in non-linear architecture to obtain key words and identified forms of design and features of non-linearity in inside space. The elements applied for the framework were divided into representative elements and artistic principles in space. The representative elements by forms were divided into complexity, dynamics, continuity, irregularity, and fluidity, and artistic principles in space were categorized into overlapping, elimination, scaling, and disjunction in the first deformation, and folding, twisting, distortion, and wave) in the second deformation. Finally, in using the concept of non-linearity used as a significant architectural element and its application for space design, a question of how much it can satisfy imaginary space and quality of living should be answered first. In that context, it is expected that this study will be used as important data for further studies.