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퀼트 기법의 조형적 연구 : 本人의 作品을 中心으로

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Author(s)
신하얀
Issued Date
2006
Abstract
Modern art conceptually categorizes artists such as sculptors or ancient artists according to their individuality or as genre of art is fallen into pieces. So it is getting harder to understand or analyse their work of art. Artists have freedom and uncertainty on meaning of art because of its variety or individuality of expression.
Modern artists do not have clear and general routes to be followed no longer. They do not have any direction toward art, which brought new freedom to them. That is, modern art is open unlike traditional art. K. Harris asked “What is artistic ?” in his “Modern Art - Its Philosophical Meaning.” There are a variety of answers to it, which indicates that meaning of art is uncertain.
This study is to compare western quilt with Korean quilt and analyse them based on uncertain environment of modern art and divided concepts of art genre. It also discusses examples that use cloth for artistic work and identifies needlework as art.
Cloth has been indispensable for men since ancient times, but it has not been accepted as a material or technique of formative art. It has been just used for daily purposes and today it has established its own area as a decorative and patterned visual art.
Needlework as a pastime of women was a means to express sorrow of Korean mothers and to create artistic and aesthetic value.
This study discusses that cloth can be used for abstract style to express one's own internal style rather than simple decorative expression with colors and patterns. For artistic expression, daily materials can be remodelled as unique and outstanding artistic work beyond being mediocre.
This study has a meaning in reflecting the past process of work and presenting a future direction. Finally, this study aims at identifying what problems there are in doing this kind of artistic work and which part should be further developed.
Alternative Title
A Study on the formative of Quilt Technique
Alternative Author(s)
Shin, Ha-Yahn
Affiliation
조선대학교 대학원
Department
일반대학원 순수미술학과
Advisor
진원장
Awarded Date
2006-02
Table Of Contents
ABSTRACT = ⅴ
I 서론 = 1
II 본론 = 3
A 퀼트의 일반적 고찰 = 3
1 퀼트의 정의 = 3
2 퀼트의 역사 = 3
3 퀼트의 종류 = 8
4 퀼트의 조형 요소 = 13
B 한국의 퀼트 = 16
1 한국 퀼트 개념과 발생배경 = 16
2 한국 퀼트의 조형 요소 = 18
C 한국의 바느질 = 22
1 한국 바느질의 개념과 상징적 이미지 = 22
2 한국 바느질의 종류 = 24
D 작품의 제작 및 분석 = 29
1 천(cloth)사용의 동기 = 29
2 현대 미술에 있어서의 천(cloth) 사용 = 30
3 미술로써의 바느질 방법 = 33
4 작품의 제작 및 분석 = 36
Ⅳ 결론 = 42
참고문헌 = 44
참고도판 = 46
Degree
Master
Publisher
조선대학교 대학원
Citation
신하얀. (2006). 퀼트 기법의 조형적 연구 : 本人의 作品을 中心으로.
Type
Dissertation
URI
https://oak.chosun.ac.kr/handle/2020.oak/6275
http://chosun.dcollection.net/common/orgView/200000233255
Appears in Collections:
General Graduate School > 3. Theses(Master)
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