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일본 불교가 차문화콘텐츠 발전에 끼친 영향

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Author(s)
전재현
Issued Date
2014
Abstract
This year, as countries short in natural resources, both South Korean and Japanese government and industries have acknowledged that both needs to invest in improving their presence in cultural enterprises to utilize their national powers more efficiently and have been in talks to find a practical method to do so. It should be noted that Dado(다도, 茶道, tea ceremony) is a very important asset as a business and as a central theme for multiple cultural enterprises. The purpose of this study is to identify the current state of Japanese Dado and to utilize that information to develop contents which will boost South Korea's Dado. After being organized by Sen no Rikyū(千利休, 1522∼1591) in the 14th century a tea ceremony Meister program was established around Japanese E-ye-moto(家元) and became one of the most unique cultural system to represent Japanese tea ceremony. Originally tea was brought over to Japan by monks who traveled abroad to Tang Dynasty(618∼907) to study Buddhism. They would bring over the tea seeds and plant them in Seburi mountain located in Saga-hyun. Tea's popularity hit near rock bottom until in 1191 where Eisai(1141∼1215), who built the Shofujuki temple, brought back tea from the Song Dynasty. During the Muromachi period Dado began to establish its basic form by embracing the flashy styles of Higashiyama culture. As a reaction to the overly extravagant ways, Murata Jukō(1432∼1510) preferred a more simple and modest approach and established the Wabi tea style based on his philosophy that tea and meditation is one(다선일미, 茶禪一味). His style was passed down to Takeno Jōō(武野 紹鴎, 1502∼1555) who in turn passed the torch to Sen no Rikyū during the Azuchi-Momoyama period. Sen no Rikyū perfected the art of tea ceremony and completed the Wabi tea culture started by Burata Shuko. Wabi tea is considered the original tea ceremony form for Japanese tea culture and Sen no Rikyū was the one who defined it. Sen no Rikyū not only establish and refine the Wabi tea style but also the sōan tea(lit., "grass hermitage") which emphasized on freedom and practicality. Sen no Rikyūs pupil Yamanoue Shoji(1544∼1590) added his philosophy of Ichigo-Ichieh(一期一會, Once in a lifetime) to that of Shikishichisoku of Sen no Rikyū and continued to improve upon it. Tea began to reach the general public only after modern era. There are three groups who make up the Sansenke, which is in the very heart of Japanese tea culture, and they are Omote Senke(1613∼1672), Ura Senke, Mushano Kouji Senke. Some also consider Yabunouchi Ryu and Sadohayami Ryu and call them the big five. Japan has not only embraced Tea ceremony as part of their cultural heritage but also has turned it into a great medium and utilized it in various business and content creations to raise its marketability. First of all, various venues such as Tanabe museum, Irimashi museum, Tea information center and culture centers hold tea ceremonies and classes where everyone can join in for a nominal fee. Second, places such as Numas Koyotei Memorial Park, Uahhonjin park, Porenakakawane Tea center, Shijuokas Tea center, Shimistei Park serves tea to the general public and also hold entertainment events with Tea infused into their programs. Third, various mediums such as Ang Donuts, Nihonjin no shiranai Nihongo(Japanese even Japanese don't know), Hanayori Dango, Aoki Sachikos Chabashirakuri comic in weekly publication Times, and Japanese webtoon the Tears of Tea-Larmes de The by Minamo Kaeroo published in EDEN provides multiple angles for tea to reach the general public and last, sales of tea drinks, instant teas, and tea related character products for adding values to teas. As seen above the reason why Dado has become so accessible to the public was due to the abundant amount of information provided via media and public services and the sales of various tea and tea related products. Enjoying tea is no longer a luxury but a part of every days life as a hobby or for fashion. South Korea should learn and absorb the strong points of Japanese practices and begin spreading the Dado spirit by naturally augmenting Dado into everyday activities.
Alternative Title
A Study on the Influences of Japanese Buddhism on the Development of Japanese Tea Culture Contents
Alternative Author(s)
Jhun Jae Hyun
Department
일반대학원 국제차문화학과
Advisor
황병하
Awarded Date
2014-08
Table Of Contents
ABSTRACT ⅵ

Ⅰ. 서 론 1
1. 연구 목적과 배경 1
2. 연구 내용과 방법 7

Ⅱ. 일본 불교의 발전 과정과 특징 11
1. 일본 불교의 발전 과정 11
1) 초기에 전래된 일본의 불교 11
2) 일본의 고대 불교 14
3) 일본의 중세 불교 22
4) 일본의 근세·근현대 불교 29
2. 일본 불교의 사상적 특징 32
1) 신불습합사상 33
2) 진언밀교사상 35
3) 정토사상과 아미타불 신앙 37
4) 선사상 41
3. 일본 불교의 문화적 특징 45
1) 중국으로부터 선불교와 선문화의 유입 45
2) 가마쿠라 시대의 선문화와 차문화의 대중화 45
3) 무로마치 시대의 귀족 중심 선문화와 정원문화 53
4) 전국 시대의 사원 중심 선문화 55
5) 에도 시대 이후 선문화의 다양화 57

Ⅲ. 일본 불교가 차문화와 정원문화 발전에
끼친 영향 61
1. 일본 차문화의 발전 과정 61
1) 고대 일본의 차문화 61
2) 나라 시대의 차문화 62
3) 헤이안 시대의 차문화 63
4) 가마쿠라 시대의 차문화 67
5) 무로마치 시대의 차문화 71
6) 센고쿠 시대의 차문화 77
7) 에도 시대의 차문화 80
8) 메이지 시대의 차문화 87
2. 일본 정원문화의 발전 과정 88
1) 고대 일본의 정원문화 89
2) 아스카 시대의 정원문화 89
3) 나라 시대의 정원문화 90
4) 헤이안 시대의 정원문화 91
5) 가마쿠리 시대의 정원문화 93
6) 무로마치 시대의 정원문화 94
7) 아즈치·모모야마 시대의 정원문화 97
8) 에도 시대의 정원문화 97
9) 메이지 이후의 현대식 정원문화 100
3. 일본 차문화와 정원문화 발전에 끼친 영향 101
1) 일본 차문화 발전에 끼친 영향 101
2) 일본 정원문화 발전에 끼친 영향 116
3) 일본 차문화와 정원문화의 문화콘텐츠 활용 130

Ⅳ. 일본 불교가 차문화콘텐츠 발전에
끼친 영향 135
1. 교육적 측면의 영향 136
2. 정신적 측면의 영향 141
3. 사회적 측면의 영향 149
4. 예술적 측면의 영향 153
5. 산업적 측면의 영향 160

Ⅴ. 결 론 174
1. 연구 결과 174
2. 한국 불교의 차문화콘텐츠 개발에 대한 시사점 181

참고문헌 189
Degree
Doctor
Publisher
조선대학교 대학원
Citation
전재현. (2014). 일본 불교가 차문화콘텐츠 발전에 끼친 영향.
Type
Dissertation
URI
https://oak.chosun.ac.kr/handle/2020.oak/12298
http://chosun.dcollection.net/common/orgView/200000276337
Appears in Collections:
General Graduate School > 4. Theses(Ph.D)
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