전후 한국 추상미술의 수용과 전개 양상 [ 1950년대 후반에서 1960년대 중반을 중심으로]

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The postwar Korean Abstract art was affected by American Abstract Expressionism and Europe Informal art. Korea was on the right middle of the cold war so Korea could absorb lots of information and materials about that new art. So, from late 1950s to middle 1960s, the western Abstract art affect Korean artists a lot. In this sense, this paper looked into how they made differences with the western Abstract art and accepted it on the Korea's historical and social change.
The postwar Korean Abstract art wanted to express their will like a challenge and resistance against the established artists who liked to show off their power. They also wanted to free from the representationalism art which was the mainstream of the Korea art from Japanese colonial era. Therefore, they pursued something different. These movements began to emerge in the visible,「4 Artists」was held in 1956. Also many artists made their debut from late 1950s. The biggest example was「Contemporary Artists Union」which assumed a defiant attitude against the suppression by the mainstream of the Korean artists. They wanted to make their way, which can pursue different style of the art from academy flow.
In the late 1950s, The postwar Korea abstract art was under the american abstract Expressionism and it was also affected by France Informal art a lot, by middle of 1960s. Late 1950s and 1960s' korean abstract art have something in common with America and France art those who experienced the world war 2.
American abstract Expressionism, which was the basis of the postwar korean Abstract art, was kind of surface of projection to fight to keep existential freedom and art autonomy as a human. By contrast, the postwar Korean Abstract art performed a function as a strong stimulus for the strong western civilization energy to express new era after hopeless post war era.
In the process of expending Abstract Expressionism art, the consciousness of crisis was brought to korea artists in the late 1950s, so Korean abstract artists and western abstract shared the scar of the war and recognized as companions to survive. Like this, the Abstract Expressionism was brought into Korean art artists without correct understanding. It combined with that periodic character and progressed with the term which is called Informal. Therefore, Korean Abstract art completed as a emotional and spiritual discussion which could deal with existentially uncertainty for the artists who experienced the Korea war.
The reason why they wanted to express the new type of the art was that they tried to complete korea's task through the Abstract art, at the same time, they could pursue completely different style of the art. So, Korean artists and critics accepted new type of Abstract art emotionally with their periodical experience. On that courses postwar atmosphere affected their work again so that it represented importance which could be the basis of Korean modern art.
Alternative Title
On the acceptance and the development of the postwar Korean abstract art
Alternative Author(s)
Lee Ri Ra
조선대학교 일반대학원
일반대학원 미학-미술사학과
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Table Of Contents
목 차

제 1장 서론 1
제 1절 연구 목적과 의의 1
제 2절 연구 범위 및 방법 2

제 2장 제2차 세계대전 이후 서구 추상미술의 전개 양상 4
제 1절 냉전 이데올로기와 미국의 추상표현주의 4
1. 미국 추상표현주의 미술의 시대적 배경 5
2. 미국 추상표현주의 미술의 성격과 특성 8
제 2절 유럽의 앵포르멜과 실존주의 12
1. 유럽 앵포르멜 미술의 시대적 배경 12
2. 유럽 앵포르멜 미술의 성격과 특성 14

제 3장 한국전쟁 이후 추상미술의 수용과 전개 양상 18
제 1절 한국전쟁 이후 남한사회의 시대적 배경과 미술계 18
제 2절 1950년대 한국 추상미술의 수용 과정 20
제 3절 1960년대 한국 추상미술의 전개 양상 28

제 4장 한국전쟁 이후 추상미술의 형성에 대한 비판적 고찰 34
제 1절 한국과 서구의 추상미술 작품 비교분석 34
제 2절 한국 추상미술 형성에 대한 평가양상 41

제 5장 결론 46

참고문헌 48
도판목록 51
이리라. (2011). 전후 한국 추상미술의 수용과 전개 양상 [ 1950년대 후반에서 1960년대 중반을 중심으로].
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General Graduate School > 3. Theses(Master)
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