겸재의 진경산수와 그 현대적 해석과 실천

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겸재의 진경산수와 그 현대적 해석과 실천 -본인 작품을 중심으로

Gyeomjae's Jingyeongsansoo and Its Contemporary Interpretation and Practice

-Centering on the Author's Works of Art-

Choi Mi-Yeon
Advisor : Prof. Kim Dae-Won
Department of Fine Arts,
Graduate School of Chosun University

These days, Gyeomjae's artistry has had a lot of influence on young artists and scholars. In particular, there have been a number of attempts to reinterpret his philosophy and apply it to contemporary painting. This study aims to discover the connections between the past and the present through Gyeomjae's Jingyeongsansoo and examine potential paths for future directions.
The ultimate goal of Gyeomjae's painting was to represent the harmonious principles of the universe and the actual states of nature. In other words, to realize actual landscapes using devices or media.
The author's painting reinterprets Jingyeongsansoo, in which the Utopia is colored and looks real. Bugambeop: an aspect through which a bird looks down on objects and landscapes from the air, was used in the current work, the sense of broad space was represented through changes in points of view. Also, points of views and planes were connected using a technique of multi-sided points of view which is far different
from western style perspective drawing. The author's painting borrowed Gyeomjae's technique using airplanes or hot-air balloons for emphasis of a broad sense of space. The top and side views of the airplanes were exposed for changes in points of view. The person in the painting looks up and down the mountain to access real aspects of the mountains and trees. The canvass is composed to look at objects from a distance, as well as reality and illusion, the past and present, details and scales, changes and pauses all coexist in it. The author suggests that works of art are complete and new landscapes can be achieved when various points of views are mixed. As real as nature is, the gaze of viewers makes the space live. In this painting, a broad artistic space was intended.
Gyeonmjae used quick strokes, short dots, end points, and weak lines in drawing techniques. This painting used Gyeomjae's vertical drawing technique of fine strokes.
Objects such as mountains, bodies of water, rocks, trees, houses, and characters which frequently appear in Gyeomjae's painting were imbued with vitality through metaphor, symbols, and imagination. This painting focused on the contemporary representation of mountains and trees in the past through modern characters, symbols, metaphor, and imagination. In this way, this painting recreated Gyeomjae's style, in the hope that the ideals and imaginations of the Utopia can be shared.
In conclusion, this study is to uncover elements of actual mountains and trees using experiment and to maximize their effect and potential with a new perspective.
Alternative Title
Gyeomjae's Jingyeongsansoo and Its Contemporary Interpretation and Practice : -Centering on the Author's Works of Art
Alternative Author(s)
Choi, Mi Yeon
조선대학교 대학원
일반대학원 미술학과
Awarded Date
Table Of Contents
목 차


제1장 서 론 1

제2장 겸재 진경산수화의 형성과 전개 3
제1절 겸재의 생애 3
제2절 겸재 진경과 진경산수 6
1.진경의 개념 6
2.겸재 진경산수화의 특징 9

제3장 현대 산수화에서 진경산수의 계승과 확장 15
제1절 진경산수의 현대적 수용 15
제2절 진경산수 표현의 다양성 17

제4장 현대적 진경의 표현으로서 나의작품 20
제1절 마음으로 노니는 진경 21
제2절 표현방법의 구체화 23
가.재료와 기법의 다양한 시도 23
나.현실과 가상공간의 화면구성 28
다.현대아이콘의 응용과 표현 30

제5장 결 론 33

조선대학교 대학원
최미연. (2010). 겸재의 진경산수와 그 현대적 해석과 실천.
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General Graduate School > 3. Theses(Master)
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