루트비히 반 베토벤 바이올린 소나타 Op.24에 관한 분석연구

Abstract

ABSTRACT

An Analytical Study on L. v. Beethoven's Sonata Op.24

Kim Sang Hee Advisor : Prof. Kim Hye Kyong Department of Music Graduate School of Chosun University

The purpose of this study is to notice that Ludwig van Beethoven made attained the highest stage of classicalism and opened a gateway to romanticism by analyzing his Violin Sonata No. 5 in F Major op. 24, "Spring" in view of the theme, tonality, harmony, and structure in each movement. Especially, it is the essential purpose to know this opus's structure and the characteristic of Beethoven's expression by analyzing "Spring". In addition, it is to improve the readers performance. Ludwig van Beethoven composed 10 violin sonatas. And his compositions are generally divided into 3 stylistic periods by style and period. This sonata was written in 1801 and plays an important role as transitional work between the first and second period. Unlike previous ones, this sonata was enlarged to comprise four movements, into which a Scherzo movement was inserted. It brought about the growth in structure which can not be seen in the former violin sonatas. There is also a meaning in the respect that sonatas formed in his earlier times were concrete, and his romantic elements are completely represented in this work the artistic and skillful views. This sonata was called "Spring" by the coming age because of its bright mood. It was composed in the large scale sonata form in which it was enlarged four movements inserted technique of violin music that the theme is lead by violin without piano accompaniment. And the trend of this sonata is very free, romantic and lyrical like the feeling of Spring. "Spring" consists of four movements. The first movement is in the typical form of sonata. It is Allegro F Major 4/4 Sonata Allegro form, exposition, development, recaptiulation, and coda. The second movement is divided into three parts which are A, B, A'. Adagio molto espressivo B？？Major 3/4 is a form of 'Variation' skillfully transformed. Generally this movement is very lyrical in slow tempo like the typical second movement of other sonatas. The third movement is the Scherzo style, F Major 3/4. And it is simple, comparatively short and a compound ternary which are A-B-A of Scherzo, Trio, Scherzo. The fourth movement is the Rondo form of A-B-A'-C-A"-B'-A‴-Coda. It gives a vivid expression throughout the movement and lifts the coda up to the climax. In conclusion, we can notice that Ludwig van Beethoven established the traditional sonata form of romanticism through this "Spring" and furthermore, he pioneered romanticism by way of a free and individual form of expression.