한용운 시의 여성상 연구

Metadata Downloads
Issued Date
In the colonial environment, 1920s' Korean poetry emerged and marked the coming of the modern poetry, remarkable for its emphasis on lyricism. Womanin the poetry during this period could be divided into two types. One is the women who were addressed by the male speaker, the women who were not the subjects of the poetry, but the "other." For this type, the male speaker compares the mystified body of the "other" to Korea before it was colonized, while the destroyed body to colonized Korea. The other type of women was that who were constructed by female poets, and who were the subjects of the poetry formed between traditional and modern times. The female speaker in Han Yong-Un's poetries belongs to the second type. That is, the speaker is female as well as the subject of the poetry.
Han Yong-Un's poetries reproduced again both traditional Korean woman and Korean modern woman appearing after 1920, thereby the ideal modern female image was constructed. He pointed out that ideal female image should be combined between traditional and modern characteristics.
Therefore, first, this thesis will analyze the reproduced female image both of traditional and modern type; how the modern ideal woman was constructed, and then the conclusion will be drawn on his critically visual line on the modern woman. Second, the thesis will pay its attention to how Han Yong-Un reconstructed the modern ideal woman in his text; thereby we can learn how he reconstructed his self in colonized Korea in the modern times.
Han Yong-Un madethe female speaker to escape from the reality without "nim" by the way of memory and fantasy. Meanwhile, he madethe female speaker to submit to the visual line of "nim." Therefore, the ideal woman was reconstructed. Likewise, Han Yong-Un himself also reconstructed his self through escapism and obedience, which indicates that Han Yong-Un realized the limit of his ability after the defeat of 3.1 movement.
Thus, this thesis relates the female image in Han Yong-Un's poetry, Korean modern female image with Han's modern ideology, with the hope that the analysis will be useful for the study of the modern women's life and desire shown in the poetries.

the Modern Woman, Reproduce, Ideal Female Image in Modern Times, Construction, Colonial Subject, Reconstruction
Alternative Title
A Study on Female Image in Han Yong-Un's Poetry
Alternative Author(s)
Shen Xian Yu
일반대학원 국어국문학과
Awarded Date
Table Of Contents
목 차

Ⅰ. 서론 ․․․․․․․․․․․․․․․․․․․․․․․․․․ 1
1. 연구 목적 ․․․․․․․․․․․․․․․․․․․․․․․․․․․․1
2. 연구사 검토 ․․․․․․․․․․․․․․․․․․․․․․․․․․․3
3. 연구 방법 ․․․․․․․․․․․․․․․․․․․․․․․․․․․․7

Ⅱ. 남성적 시각에 의해 구성된 여성상 ․․․․․․․․․․․․10
1. 전통적 여성과 신여성의 재현 ․․․․․․․․․․․․․․․․․․ 10
1). 작품 속에 재현된 전통적 여성 ․․․․․․․․․․․․․․․․․11
2). 작품 속에 재현된 신여성 ․․․․․․․․․․․․․․․․․․․ 16
2. 신여성 비판과 ‘이상적 여성상’의 구성 ․․․․․․․․․․․․․․․27

Ⅲ. ‘이상적 여성상’을 통한 식민지 주체의 재구성 ․․․․․․․34
1. 기억과 환상 속에서 재구성된 주체 ․․․․․․․․․․․․․․․․34
2. ‘님’의 시선에 의해 재구성된 주체 ․․․․․․․․․․․․․․․․ 42

Ⅳ. 결론 ․․․․․․․․․․․․․․․․․․․․․․․․․․47

․․․․․․․․․․․․․․․․․․․․․․․․ 49
조선대학교 대학원
신선옥. (2009). 한용운 시의 여성상 연구.
Appears in Collections:
General Graduate School > 3. Theses(Master)
Authorize & License
  • AuthorizeOpen
  • Embargo2009-08-04
Files in This Item:

Items in Repository are protected by copyright, with all rights reserved, unless otherwise indicated.