중국현대미술의 고찰을 통한 언어적 회화표현에 관한 연구

Abstract

ABSTRACT

Through the observation of Chinese modern art for the painting represent by character image's study

Cui Mingyuan Advisor : Prof. Jin, Won Jang Department of Fine Art Graduate School of Chosun University

That I want to discuss was the drawing after experiencing nearly 100 year evolution in China. In the 90s in artistic thought and cultural manner's aspects and so on pioneering tends to be mature finally. The drawing after having experienced the 80s's modernism art ideological trend seed, starts in the 90s to have the vanguard truly in China. This kind of vanguard mainly displays in two aspects: First, vanguard's cultural posture and self-introspection depth; Second, in the image pattern, the visual idea, as well as narrative and the pictorial aspect has carried on the massive visual experiment.

Since the study of Korea, Art study from a new perspective to see contemporary art in China. In the 90s, Chinese Art's vanguard drawing has basically experienced three main stages: The first stage is the 1990s's the "Cenozoic era's painting", On behalf of Painter is Yue-Minjun and Fang-lijun. The Cainozoic Era drawing mainly expressed north the first half of the 1990s with the political society's one individual political fable narrative as well as the hopeless resistance political emotion. Screen performance as a closed social space with the psychological illusion's color. In the painting of the commitment to realism, expressionism and modernism is a visual exploration of Chinese-style. The second stage, "Cenozoic Era's painting" 'is the main people in this generation of political hopelessness and sense of the existence of empty self-expression. Compares with the `85 new tide, a Cainozoic Era drawing's independent characteristic is from the collective emotion and the ideology expression. The third stage is New generation of painting is Classic young people's Modernism.

The drawing in the 90s's vanguard experiment is nearly omni-directional, even it takes the contemporary art one kind of visual language experiment in the technicality not inferior other medium art. In fact, through the 90s drawing widespread vanguard experiment, the Chinese drawing basically has completed the painting real sense localization.

Study in Korea, I through this new perspective to find my own style of painting and have a new understanding of Chinese contemporary art. No matter which country paintings, it is necessary to retain their national character, but also has a world-wide. Although this is the most difficult creation, but I will great effort for my work in the future for this world of Nationalization.