연구

Abstract

Abstract

Ａｓｔｕｄｙｏｎ＜Ｇｏｎｇｍｕｄｏｈａｇａ＞

Cao Renhuan Adviser: Prof. Kim Jeong-Ju Ph. D. Dept. of Korean Language & Literature Graduate School of Chosun University

China and Korea, with a 5,000 years long history, have been closely linked since ancient times because of the special geo-cultural area. Especially in the study of Ｇｏｎｇｍｕｄｏｈａｇａ, I feel the unbroken cultural ties between the two countries better. The background records of Ｇｏｎｇｍｕｄｏｈａｇａ are different from that of the other works, so Chinese and Korean scholars are all engaged in the research on it. Because of the lack of information and different scholars' different perspective to different information, there are many different research findings produced, resulting in continuously controversy, however, About Ｇｏｎｇｍｕｄｏｈａｇａ, there are different authorities. In this paper, after considering the spread as folk tales and the variability in the process of spread, we believe that Chae Ong's Geum Jo is reliable in accordance with the principles of research study. When I analyzed the myth, I tasted the most beautiful feeling, the common people's consciousness and feeling. Especially, the scene that the heroine's martyrdom following her husband expressed the traditional oriental woman's ethical thinking. International issues are sensitive. Based on the identity of Chae Ong and Choe Pyo and historical data, the nationality of the work is Korean. Through studying the history, the author made a detailed classification for the work. The crazy couple were the first composers, because they were the center of the story in which the wife followed her husband to the river, but ultimately when she failed to rescue her husband , she roared her sad story. Using Kong Hu, lyricist Kwak Li Ja Ko performed the lyrics of the mad couples' sad roaring, therefore, he was seen as the second composer. The lyrics was translated into a four-four Chinese poetry by a literati when it was popular among the civilians, so the translator was seen as the third composer. The creation of the work was estimated at the first half of the first B.C based on the research of Kong Hu and the information of Chae Ong. After further review to Chae Ong，Choi Pyo and many scholars' research, the title should be Ｇｏｎｇｍｕｄｏｈａｇａ in terms of literary and should be called Kong Hu In more appropriate in terms of music. In accordance with the relevant musical history and the transmission of the work, Kong Hu In was classified as Sang Hwa Ka Ryu combining with the characteristics of the poetry. Finally, Ｇｏｎｇｍｕｄｏｈａｇａ became the model of classical poetry in a long period of more than 2,000 years in China and Korea. The impact to the poets was verified through their work.