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미술 매체로서 자연의 기호적 언어 표현연구

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Author(s)
홍지애
Issued Date
2007
Abstract
Contemporary art has a variety of aspects in its contents and methods. And it has shaped and developed them to recognize individual's sensitivity and vitality.
Art is an external expression of spiritual emotion of life and is not gathering factors scattered in nature and aggregating parts, but it is work to create a new organism and makes dynamics of things of structural shape by paralleling leaves and flowers through the process of growth as the essence of life.
Image of such a form is shown in the structure of passive and accommodative life of basic instinct from the first memory and is to express the essence and depth of a form.
Artworks have organic form, that is, vitality conveying changing properties of organism and when they have total figurative image and organic order having dynamic functions, they show the structure of intersection form and express human life, unconscious life, death and revival.
Existence of time, generation and disappearance, harmony and balance and all metaphysical questions get their replies through questions of generation principle and essence of nature and when figurative factors are analyzed by extension of vitality into organic form and selection of materials, composition is made and essence of nature is combined with artist's idea.
Human has organism having life, pursues richness and variety of life and achieves self-growth.
They find common features by pursuing such an internal growth and these common features become eternal vitality and can exist forever.
The researcher tries to create my internal creatures with internal balance and harmony, shows basic principle to be revealed and shown as three dimensional or another organism and suggests more essential interpretation of properties of organic concept and changes of growth from the view that unification of figurative expression is in creative spirit itself, not depending on general or historical form principles.
The beauty and mystery, and solemnity and lesson of nature become the objects of concerns to human and the beauty of such a nature became the matrix of art.
Human life is inevitably influenced by nature and human's aesthetics or artistic activities are also influenced by nature.
Human existing as a part of nature is merely a part of all natural phenomena and nature is the foundation of human life. Therefore, nature is the object of expression in human art, stimulates human aesthetics and makes artistic activity possible.
It continues from oriental landscape painting and Baroque art in the 17th century to date. We can seek possibility of new formation through the shaping of nature within liberal creativity of spirit by learning order of generation and disappearance in nature and recognizing the relationship between human and nature.
This study also examines shaping infinite energy in nature to reproduce symbolism of the shape.
Art work is not mere imitation of natural world but delivers the meaning of several concepts by symbol and is a channel to look for self-identity through the process of working.
This study is to harmonize the principle of nature with inner world through symbolism of nature and then it is created by artistic expression.
And summarizes concept and form of work through expression and activity of artistic shape in nature with woodcut.
Alternative Author(s)
ji-ae Hong
Affiliation
일반대학원 순수미술학
Department
일반대학원 미술학과
Awarded Date
2008-02
Table Of Contents
도 판 목 차
ABSTRACT
Ⅰ. 序論
1. 연구의 목적
2. 연구의 방법 및 내용
Ⅱ. 本論
1.작품 형성과 배경
(1) 기호적 언어로서의 식물이미지
(2) 주요 작가의 작품에 나타난 꽃의 표현
2. 작품 형성 과정 및 분석
(1) 현대미술의 표현 매체로의 목판화
(2) 표현 양식으로서의 의미
가. 작품이 갖고 있는 색채 적 의미
나. 작품에 나타난 형태의 의미 
3. 작품 내용분석
(1) 상징의 개념
(2) 상징성의 의미
(3) 본인 작품에서의 꽃의 상징적 의미
가. 자연의 이미지
나. 기호적 형태
다. 색채의 아름다움 발견
4. 본인 작품 분석
(1) 작품 제작 과정
가. 판 제작 방법
나. 잉킹 방법
(2) 작품 설명
Ⅲ. 結論
참고문헌
Degree
Master
Publisher
조선대학교 일반대학원
Citation
홍지애. (2007). 미술 매체로서 자연의 기호적 언어 표현연구.
Type
Dissertation
URI
https://oak.chosun.ac.kr/handle/2020.oak/7077
http://chosun.dcollection.net/common/orgView/200000236063
Appears in Collections:
General Graduate School > 3. Theses(Master)
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