雙磎寺의 題詠詩에 대한 硏究

Abstract

This study speculated on the Jeyongsi(poetry describing objects) of Ssanggyesa (temple). It aims to reconsider the culture and history of the Ssanggyesa through its Jeyoungsi and specifically describes the characteristics of Jeyoungsi. To overcome a limitation in the temple Jeyoungsi that there are too many poems describing temples in the area of Mt. Jirisan, the range of the study was narrowly confined. This study focused on the Ssanggyesa area as it has the representative cultural relics of Bumpae, Ssanggyesa as the cradle of Zen, Unsangwon, an origin of a stringed musical instrument, and Hwagae Dongchon as the first tea plantation. There are different reports as to whether the temple founder is Sambuphwasang or Jingamsunsa. It has been said that Sambuphwasang repaired the temple halls to build the temple and Jingamsunsa founded the temple in its bibliographical data. This study looked at Jeyoungsi and Chonghakru in the Geumdang Area and Palyoungru in the Daeungjeon Area. The first poetry writing meeting at Chonghakru was particular about the formality of Ounjeolgu with Jeol, the end letter of the second line and Wol, the end letter of the fourth line. The second poetry writing meeting was called Younggwisa as Choi Ik-Hyon was fascinated with the scenery around the temple and recited a poem in the Imin Year of the Joseon Period. All the poems written at the third and fourth meetings showed that Ssanggyesa had beautiful scenery. Palyoungrul of Ssanggyesa is the place of education which produced Bumpae artists. Youngs 1 to 8 have their own sub-titles. Those of Young 1 and Young 6 describe the beautiful scenery. Young 2, 3, and 4 remember relics and remains of Choi Chi-Won. Young 5 describes the scenery of Ssanggyesa, and Young 7 and Young 8 describe retirement. The Jeyoungsi of Palyoungru was categorized into scene images, the memory of Choi Chi-Won, natural scenery and retirement. Ssanggye Palgyong(8 Scenes) admires the nature of Ssanggyesa. The second characteristic of the Jeyoungsi on Ssanggyesa was the remains of Choi Chi-Won. The Jeyoungsi remembering Choi Chi-Won deals with the themes of Chonghakdong, a Utopian scenery, Ssanggye Sukmun at the gate of Ssanggyesa, and Jingamsunsa Daegongtapbi. In addition, there are Gounyoungdang, Chonghakru, Hwanhakdae, Wanpokdae, and Samsindong Shinheungsa Valley, a gigantic tree named Jipangee, and stone carvings at Samsindong and Seiam. More than half of the Jeyoungsi is made up of poems on Choi Chi-Won. Chonghakdong is a Utopian place where taoist hermits lived in Hwagae, Hadong in Mt. Jiri. All the people who visited there said that it is a good place to live although the exact positions differ somewhat and no one has found it. It is believed that it is an ideal place where anyone can live. It can be said that Jingamsunsa Daegongtapbi is the best of the Choi Chi-Won Remains. The inscription on the monument was written by Choi Chi-Won. There were diverse records on the inscription until the late Joseon period. Jingamsunsa Daegongtapbi has great historical meaning as it transmits the origins of Ssanggyesa and Bumpae. The Jeyoungsi of Ssanggyesa in Mt. Samsin describes sightseeing. It is Zen poetry recited by Zen monks and the excursions of hermits above the world. As for Zen poetry, this study focused on poetry by Hujeong Seosan Daesa and Gosan. They entered the priesthood in a similar period and stayed in Ssanggyesa during the same period. Yuramsi(poetry on sightseeing) usually describes the natural scenery of temples. The temples shown in poetry on the sightseeing of hermits were often described as unworldly places. They are places of living and training for monks while they are sightseeing places for hermits. Zen monks realized truth through daily living while hermits consider sightseeing as retirement into an unworldly space.