CHOSUN

신체를 매체로 활용한 현대미술 고찰

Metadata Downloads
Author(s)
정의성
Issued Date
2011
Abstract
A body is a cultural complex creature that represents race, religion, and ethnicity, and reflects personal identity, mentality, and taste. A human body has been being an mysterious object for study since ancient history, and it also has been attracted attention from the art world. In particular, for the body to use artistic expression as in the numerous works, or as a body of art to capture the target, or to convey their thoughts, or between physical activity reveals life, including the time and place have played a role, such as the jisiche . Appeared in 1960 as a medium body, including but not limited to the fine arts of painting for the first body sojaejeok, jujejeok approach to change and we reach the era of physical media that while behavioral performance or happening yesuljangreuin, Fluxus , or live in the area of ​​art to understand and papahteuwa postmodern art with body image, to express it was to look for a sexual message. The decline of reason in the West-centrism and the industrial revolution and the emergence of consumer culture, the substance of the body hwasikyeoteumyeo human dignity and identity, which can mean that interest in the awareness of the body has changed.
Unlike the classics which bodied out the ideal beauty of the past through a human body, the emergence of objets in the early 20th century established the concept of Ready-Made reinterpreting the object. Accordingly, the art of consumer society materialized a body slowly. A body used as a medium and ezpressed embodied body with space-performance in the 1960s. The conceptual project of Yves Kline and piero Manzoni using a Body was led to the Abject-oriented Orlan and Marc Quinn who were a contemporary of Yves Kline and Piero Manzoni in Nouveau realism. A body is described in a direct way and it is shown as objet in modem art. With these trends in contemporary art as a medium body, a research and analysis work and its meaning as an expression of the public nature can be deployed to provide direction has the significance of this study.
Alternative Title
A Study on the Contemporary Art Using The Body as a Medium
Alternative Author(s)
Jung, Eui sung
Affiliation
조선대학교 교육대학원
Department
교육대학원 미술교육
Advisor
김익모
Awarded Date
2012-02
Table Of Contents
목 차

ABSTRACT ⅶ

Ⅰ. 서 론 1
A. 연구의 배경 및 목적 1
B. 연구의 내용 및 방법 2

Ⅱ. 현대미술과 신체 표현 4
A. 현대미술의 개념 및 내용 4
1. 현대미술의 개념 4
2. 현대미술의 내용과 변화 5
B. 현대미술에서의 신체 활용 표현 양상 분석 8
1. 신체에 대한 인식 9
2. 현대미술에서 신체의 개념 10
3. 현대미술 안에서 신체 활용의 변화 10
a. 1960년대 이전 미술에서의 신체 활용 10
b. 1960~80년대 미술에서의 신체 활용 14
c. 1990년대 미술에서의 신체 활용 20
d. 2000년대 이후 미술에서의 신체 활용 24

Ⅲ. 신체를 매체로 한 작가들의 표현 특성 분석 26
A. 1960~80년대 작품 분석 26
1. 이브 클라인(Yves Kline)작품 분석 26
2. 요셉 보이스(Joseph Beuys)작품 분석 27
3. 비토 아콘치(Vito Acconci)작품 분석 28
B. 1990년대 작품 분석 31
1. 신디 셔먼(Cindy Sherman)작품 분석 31
2. 마크 퀸(Marc Quinn)작품 분석 36
3. 매튜 바니(Matthew Barney)작품 분석 38
4. 오를랑(Orlan)작품 분석 44
C. 2000년대 이후 작품 분석 46
1. 주유(zhuyu)작품 분석 46
2. 이윰(ium)작품 분석 47
3. 마리나 아브라모비치(Marina Abramovic)작품 분석 48

Ⅳ. 신체를 매체로 한 작가 비교 분석 및 전망 50
A. 신체를 매체로 한 작가 특성 분석 50
B. 신체를 매체로 한 현대미술의 방향 및 전망 52

Ⅴ. 결 론 54

참고문헌 56
Degree
Master
Publisher
조선대학교 교육대학원
Citation
정의성. (2011). 신체를 매체로 활용한 현대미술 고찰.
Type
Dissertation
URI
https://oak.chosun.ac.kr/handle/2020.oak/15478
http://chosun.dcollection.net/common/orgView/200000256801
Appears in Collections:
Education > 3. Theses(Master)
Authorize & License
  • AuthorizeOpen
  • Embargo2012-02-02
Files in This Item:

Items in Repository are protected by copyright, with all rights reserved, unless otherwise indicated.