상형문자를 활용한 회화적 표현 연구:연구자 작품을중심으로

Abstract

The purpose of this study is to find out what factors are appropriate for making the characters and the formative language of hieroglyphics expressed as the material of paintings natural to the paintings, Hieroglyphics that are close to a figure or figure are merely symbols or signs that can be used to visually read a word or phrase. However, with the simplest materials and the simplest lines, it is possible to express the mind and spirit of the artist with an implicit symbolism. The simplest yet simple thing is that it can be expressed in the form of a beautiful work of art. The meaning, spirituality, and visual elements of hieroglyphics can be interpreted in the sense of simply drawing shapes in contemporary paintings, but they also include decorative features in completing paintings. Among the works of hieroglyphics, conceptual meaning is implied by utilizing various formative elements of hieroglyphs. This seems to be part of an attempt to idealize the phenomenon of nature away from the standardized framework. Prior to the civilization, the symbolic form of the hieroglyphic symbol was expressed by the idea of ​​the object. The hieroglyphic characters contained various contents such as consciousness, thought or representation appearing in the human mind, so that the members of the group infused the concept of each common property into various hieroglyphs. In order to communicate verbally in the group, it was necessary to have minimum rules and formality. On the basis of this, artistic, religious, or natural paintings have started to lead to the development of calligraphy and texts, starting with paintings using natural sculptures and caves. To combine the characters of a hieroglyphic painting with painting is to combine different genres. I hope that the genre will not change as much as the other, but will result in a positive change. The meaning of such an attempt resembles our oriental thought which does not regard nature and man as a struggle of confrontation and confrontation but as a unit which organization and structural elements are closely related to each other. In Chapter 2, we analyze various expression styles and characteristics of hieroglyphs used as human emotional expressions or communication means before civilization. In Chapter 3, we describe the theoretical background based on the type, content, and technique of the antecedents using the hieroglyphic characters. In Chapter 4, we discuss the meaning of the hieroglyphs, I will analyze the method and find out what is the consciousness of the person who is embedded in it through the meaning of the hieroglyph in my work. Chapter 5 Conclusion summarizes the content of the previous discussion, describes what is lacking in the work, what elements should be supplemented, what is the better expression style, emphasizes the importance of the pictorial aesthetic consciousness of the characters, And to develop the direction of development.