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J. S. Bach, L. v. Beethoven, D. Popper에 의한 석사학위 졸업연주 프로그램 해설

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Author(s)
김수환
Issued Date
2017
Abstract
ABSTRACT

Program Annotation on Master’s Graduation Recital Pieces
by J. S. Bach, L. v. Beethoven, D. Popper



Kim Suhwan
Advisor: Prof. Jaeyeon Park, D. M. A.
Department of Music
Graduate School of Chosun University


This dissertation consists of an annotation of a graduate recital program for master's degree. This program is composed of a total of three pieces from the era of Baroque, Classicism, Romanticism, namely, J. S. Bach「Cello Suite No. 3 in C Major, BWV 1009」, L. v. Beethoven「Sonata for Piano and Cello No. 2 in G minor, Op. 5」, D. Popper「Hungarian Rhapsody for Cello and Piano, Op. 68」.
Firstly, Bach's unaccompanied「Cello suite No. 3 in C Major, BWV 1009」, composed in 1720s, is a baroque suite consisting of Prelude and various dance movements. This piece is considered to be a momentum to raise the role of Cello, which has taken a role of accompaniment only, as a solo instrument. We will analyze composition and melodic structure and structure of this piece to help understand the piece.
Secondly, L. v. Beethoven's「Cello Sonata No. 2 in G minor, Op. 5」in the period of classicism is a piece that adds a romantic element to classical music. The harmonic and melodic structure of the piece is equally assigned to both Cello and Piano. This piece proves that the Cello is not any longer limited to a subsidiary role with taking a main theme. In this dissertaion, the melodic and harmonic structure will be analized to enhance to the understanding of the piece.
Finally, Popper's「Hungarian Rhapsody Op. 68」is a piece that includes romantic and nationalistic musical elements, and although it has been frequently played by Cello performers, it has not been interested in musicology. It is a piece that shows the rich compositional structure and composition of the Cello in the range of the Cello by surely listening to the technical side of the Cello such as Cadenza etc. By analyzing composition and melodic structure and structure of this piece, we want to improve understanding of music of romantic music and help to play.
In this dissertation, we aim not only to analyze piece but also to improve the understanding the works by explaining the life and the background of each work in each period.
Alternative Title
Program Annotation on Master’s Graduation Recital Pieces by J. S. Bach, L. v. Beethoven, D. Popper
Alternative Author(s)
Kim Suhwan
Department
일반대학원 음악학과
Advisor
박재연
Awarded Date
2017-08
Table Of Contents
목 차

ABSTRACT

I. 서론 1
1. 연구의 목적 1
2. 연구의 방법과 범위 2

II. 본론 3
1. J. S. Bach, Cello Suite No. 3 in C Major, BWV 1009 3
가. J. S. Bach의 생애 3
1) 아른슈타트와 뮐하우젠 시기 4
2) 바이마르 시기 4
3) 쾨텐 시기 5
4) 라이프치히 시기 6
나. J. S. Bach, Cello Suite, BWV 1007-1012의 작곡 배경 및 음악적 특징 7
다. J. S. Bach, Cello Suite No. 3, BWV 1009 작품 분석 8
1) Prélude 9
2) Allemande 12
3) Courante 14
4) Sarabande 16
5) Bourrée I, II 18
6) Gigue 20
2. L. v. Beethoven, Sonata for Piano and Cello No. 2 in G minor, Op. 5 23
가. L. v. Beethoven의 생애 23
나. L. v. Beethoven, Sonata for Piano and Cello No. 2 in G minor, Op. 5 작곡 배경 및 음악적 특징 25
다. L. v. Beethoven, Sonata for Piano and Cello No. 2
in G minor, Op. 5 작품 분석 25
1) 제1악장 26
가) 서주부 27
나) 제시부 30
다) 발전부 34
(1) 발전부: section I 35
(2) 발전부: section II 35
라) 재현부 36
마) Coda 39
2) 제2악장 41
가) A부분 41
나) B부분 42
다) A′부분 43
라) C부분 44
마) A″부분 45
바) B′부분 46
사) A´´´ 부분 46
아) Coda 47
3. D. Popper, Hungarian Rhapsody Op. 68 50
가. D. Popper의 생애 50
나. D. Popper, Hungarian Rhapsody Op. 68 음악적 특징 51
다. D. Popper, Hungarian Rhapsody Op. 68 작품 분석 52
1) A부분: Andante maestoso 52
2) B부분: Andante 54
3) C부분: Allegretto 55
4) D부분: Presto 57
5) E부분: Adagio 61
6) F부분: Allegro vivace 63

III. 결론 68

참고문헌 71
Degree
Master
Publisher
조선대학교
Citation
김수환. (2017). J. S. Bach, L. v. Beethoven, D. Popper에 의한 석사학위 졸업연주 프로그램 해설.
Type
Dissertation
URI
https://oak.chosun.ac.kr/handle/2020.oak/13252
http://chosun.dcollection.net/common/orgView/200000266268
Appears in Collections:
General Graduate School > 3. Theses(Master)
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