남도잡가 연구

Abstract

ABSTRACT

Kim Namhee Advisor : Prof. Lee Sang Won Ph.D. Department of Korean Language and Literature, Graduate School of Chosun University

The purpose of this research paper is to redefine the degradative status as establishing fact of Namdo-jabga. Jabga is mainstay of the masses art which is rampant in the early 20th century, regional classifiction exist as Gyeonggi, Seodo, Namdo. Although Namdo is subgenre of represent local, Gyeonggi and Seodo, the preceding the settlement, not treated in accordance with the reality. In fact, Namdo established late than Gyeonggi and Seodo, in the process, Namdo was affected from Gyeonggi, Seodo. The property from a jabga, not purely a jabga itself was born one born in the work of origin in various genre. Gyeonggi, Seodo jabga also were born that way too. However, time to Namdo formed before both of them. Seodo, Gyeonggi are one of a wide variety of genres influenced in the process of formation of a jabga, too, southern part of a jabga looking at the research associated with this trend, however, In the aspect of a piece of music. On the other hand Namdo style while chaing, in the aspect of text only Namdo jabga of our own not securing the full independence. Furthermore, general appearance of Namdo jabga mislead as Gyeonggi, Seodo's or deployed as devaluation. However, these biased analysis is need to be wary. The above is awareness of this manuscript, status and diagnosing the cause of crash. Earlier studies have found that the lack in fact analysis to start to establish only Namdo jabga's identity. The method of analysis is between Gyeonggi and Seodo Correlation appeared with the exception of parts Namdo jabga the changing shape of an editorial that can be found in only. Especially The proper function of a popular folk songs and jabga the point by looking at private contact with "local folk song" specific aspect that can be called, respectively, will go ahead. The research to find the substance of Namdo jabga naturally, Named in the southern part of The South Island folk song, Namdo songs such as Pansori. Across as grounds for namdo reveal the identity of the jabga. I’ll to talk about three literary works , and as the main subject. These three works come from ‘Jab-ga’ in Gyeonggi, Seodo. These three works are at a disadvantage position against other literary works from Namdo. Because they are affected by Gyeonggi, Seodo. Nevertheless, We can find some trace of a Nmado’s folk song at the texts that resulted from these three works. The second chapter, that derived from has evaluated to have vast amounts of text. The third chapter, is reconsidered as a literary work from Gyeonggi. Additionally, The fourth chapter, is considered as a song came from Jabga of Namdo and is made. These three literary works can be described in the relationship with Jabga of Gyeonggi, Seodo. In this process, Namdo-jabga lost their prestige. It will be strong argument because there are many contact point between expanded text of Namdo-jabga and Namdo’s songs. Additionally, We’ll check an aspect of acceptance differently for contents like a collection of Jabga and phonograph. That will contribute to revealing Namdo-jabga’s identity in this process if we can catch this aspect. Namdo-sori is representative of a folk songs and Pansori passed down from Namdo. It is hard to classify a popular folk song‘s category because a popular folk songs sometimes be a member of Jabga. it is useful to find the truth of Namdo-jabga in the folk song known as the base of a popular folk song. We can see a process of movement from the beginning of the song to standing at the field of entertainment. Besides, we can see ‘How did Namdo-jabga gain popularity’. We can find an identity of Namdo-jabga by checking the reason why Namdo-jabga could gain popularity.