한국의 전통적 美意識과 五方色에 관한 연구 : 본인 작품을 중심으로

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According to the current stream of pluralism era which takes a serious view of horizontal variety, the value of the oriental thoughts and cultances is causing to the surface through gaining attention, leaping over local and specific characteristics, reinterpreted, reevaluated, and freed from the prejudice.
Responding to the stream it is new trend and issue to rediscover our own culture in Korea and many researches about Korea and its essence are studied in many ways.
Koreans review color as something resembling and that is friendly to the nature. For example, "Dan-Cheong" of Korean bower, temple, old palace does not overwhelm their environment but makes it look brighter than be emphasizing itself.
Koreans have enjoyed and adapted the change of the four season with great nature environment and unique racial characteristics, so Korean colors and color cultance have reached to assimilate the nature purely and not to go against the nature.
This Korean unique color cultance recognizes and presents colors in terms of O - haeng which is originated from the yim-yang-o-haeng theory. Further more the theory has developed to the science of divination, which insists Yin and Yang is the origin of the universe and they give shape to all creatures, and to the astronomic philosophy to consider all things as Kum, Mok, Sue, Hwa, Tou of five elements.
The blue, white, red, black and yellow that are called as a five colors or a five-primary colors correspond to the Yang, and these colors imply season, pungsu, a compass direction, birth, resurrection, degeneration, darkness and so on.
They became a model of didactic and people`s religion: that is they contained people`s desire to overcome their poverty and difficulties in life through their artistic expression. The pure primary colors which have a feeling of happy and splendid contain the optimistic nature, bright idea, and kind mind.
The traditional Korean colors are focusing on idealized meanings and symbols rather than optical or sensual experiences. Korean traditionally has used those five colors of blue, red, yellow, white and black which are related with the energy of the O - haeng.
Therefore the korean people thought of ten colors of O-jeong colors (red, blue, yellow, white, black ) and O-kan colors (용 벽 녹 유 황 류 ) as basic colors.
While using colors it seems that colors are beyond actual experience for Korean. They provided colors with idealistic meaning and this made the colors as a part of life by giving meaning to the colors in accordance with the reason of universe that is related with Yin-Yang and the Five Activities.
The aim of this thesis is to analyze the relationship between aesthetic sense and O-Bang colors in accordance with religious and historic background and the
The aim of this thesis is first to analyze the Korean as aesthetic sense related to the religions and historic backgrounds, secondly to analyze the relationship between O-bang colors and the color culture in the mind at the korea people, and yim - yang - ㅇ - haeng theory to research the color consciousness, and finally to enlighten the use of the O-bang colors in the everyday life.
Furthermore, it should also come into consideration that the identification of korea is to be seeked for by interpreting the O-bang colors positively.
I hope that this research and the correct understanding about the traditional colors support th idea that the O-bang colors are the unique and beautiful color consciousness the world and they can encourage a renewed view about the rich color culture to be formed.
Alternative Title
A study of korean traditional conception of beauty and Obang color : Focused on my piece
Alternative Author(s)
Yoon, hee-kyoung
조선대학교 교육대학원
교육대학원 미술교육
Awarded Date
2006. 8
Table Of Contents
도표목차 = Ⅲ
도판목차 = Ⅳ
1. 序論 = 1
(1) 연구의 목적 = 1
(2) 연구의 내용 및 방법 = 2
2. 陰陽五行에 따른 한국인의 色彩意識 = 4
- 한국의 전통적 미의식과 오방색의 사상적 근원 = 4
陰陽에 의한 色彩表現-五方色 = 11
(1) 陰陽에 나타난 五方色의 특성과 상징성 = 11
(가) 적색 = 15
(나) 청색 = 16
(다) 황금색 = 17
(라) 흑색 = 18
(마) 백색 = 18
(2) 생활 속의 五方色 = 20
3. 陰陽五行의 象徵체계 = 24
(1) 고구려 古墳壁畵의 색채의식 = 24
(2) 고려 佛畵의 색채의식 = 27
(3) 巫神圖의 색채의식 = 28
(4) 民話의 색채의식 = 31
4. 전통의 재해석 = 34
(1) 本人 作品에 대한 硏究 = 34
(2) 본인 작품과 오방색의 관계 = 37
(3) 작품 제작 방법 = 39
(가) 판 제작 방법 = 39
(나) 잉킹 방법 = 40
(4) 작품설명 = 41
(5) 앞으로의 작업계획 (五方色의 계승과 현대적 적용) = 46
5. 結論 = 47
참고도판 = 49
참고문헌 = 68
조선대학교 교육대학원
윤희경. (2006). 한국의 전통적 美意識과 五方色에 관한 연구 : 본인 작품을 중심으로
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Education > Theses(Master)(교육대학원)
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