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칼 오르프의 음악교수법을 적용한 중학교 음악 수업안 연구

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Author(s)
오은영
Issued Date
2006
Abstract
Currently, music education in Korea is a comprehensive music education with continuance. Music education curriculum is part of the National Common Core Curriculum that ties into one-unit grades 1 through ten and therefore it is structured to possess consistency and continuance and to be comprehensive. As the focus of its activities, rather than focusing on learning musical concepts or skills, it is a "Let's do Music" oriented education which encourages learning of musical concept and skill through musical activities.
And through music and its curriculum, students can acquire problem-solving skills, creativity, and musical creativity, which is based on creative thinking that signifies acquiring the ability to interpret music, creatively express and play music, create music, and listen to and analyze the music. In addition, through listening and creative activities, students can also acquire problem solving skills and independent learning skills.
However, the reality of creativity in actual educational setting is that under circumstances of schools possession of various instruments is difficult, and music classes are being conducted with a singing-oriented education. Therefore, if teaching method of Carl Orff, which is creative and places emphasis on student oriented music activities, is applied in the school setting, within the limits of classroom environment, a more efficient lesson can be conducted.
Therefore, the purpose of this study is to assist in making possible an effective learning program in the music education setting through teaching plans based on fundamentals of Orff's teaching method.
If teaching plans presented in this study is applied in music classes in a school setting, various musical expression skills can be enhanced, and will be able to develop creative musical abilities by enriching musical creativity.
Application results of music lessons conducted based on Orff's music education method can be expected as follows.
First, step by guidance of rhythm such as speaking, gesture, singing and playing instrument enables students to play difficult rhythm easily as well as to draw the ability of impromptu and cultivate creativity through curriculum of various rhythmic expression and composition.
Secondly, the application of ostinato and bourdon, the technique of repeating simple rhythmic or melodic motives to the end in a simple form of accompaniment enables students to develop impromptu accompaniment easily, to extend the sense of harmony and expression of impromptu music. With the repetition of simple pattern, students are also able to write and play music.
Third, by using simple rhythmical instruments or string instruments that can be easily handled by students, emphasize the fact that they can be performed anyway, thereby allowing creativity of students to come in contact with musical experience. In addition, it serves as background for effective lessons that do not adhere to school circumstances.
Alternative Title
A Study on Middle School Music Teaching-learning Plans Based on Carl orff's Musical Teaching Method
Alternative Author(s)
Oh, Eun Young
Affiliation
조선대학교 교육대학원
Department
교육대학원 음악교육
Advisor
이한나
Awarded Date
2006. 2
Table Of Contents
ABSTRACT = ⅲ
제1장 서론 = 1
제1절 연구의 목적 및 필요성 = 1
제2절 연구 방법 및 범위 = 3
제2장 이론적 배경 = 5
제1절 칼 오르프의 음악교육철학 및 음악적 특징 = 5
1. 오르프의 음악교육철학 = 5
2. 오르프의 슐베르크 = 7
제2절 칼 오르프 수업의 매체와 교육방법 = 11
1. 오르프 수업의 매체 = 11
2. 오르프 교육방법 = 22
제3장 칼 오르프의 음악교수법을 적용한 중학교에서의 수업 지도안 = 24
제1절 리듬 중심의 기악활동 학습 지도안 예 = 25
1. 푸른 목장 = 25
제2절 감상 중심의 따른 즉흥연주 학습 지도안 예 = 32
1. 동물의 사육제 = 32
제4장 결론 = 39
참고문헌 = 41
Degree
Master
Publisher
조선대학교 교육대학원
Citation
오은영. (2006). 칼 오르프의 음악교수법을 적용한 중학교 음악 수업안 연구
Type
Dissertation
URI
https://oak.chosun.ac.kr/handle/2020.oak/4516
http://chosun.dcollection.net/common/orgView/200000233253
Appears in Collections:
Education > Theses(Master)(교육대학원)
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