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클래스 올덴버그 작품에 나타난 대중성과 일상성의 재현에 관한 연구

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Author(s)
김태인
Issued Date
2004
Abstract
This thesis will analyze the use of popular elements and the employment of common objects that lie at the core of Claes Oldenburg's environmental sculptures. By examining the significant characteristics that commonly appear in his works, I will argue the artist's historical significance. Through his use of environmental sculptures that harmonize with nature, Oldenburg refined our notion of public art. My thesis will also investigate the direction of public sculpture as it suits our current cultural and social needs.
Along with Andy Warhol (1928~1987) and Roy Lichtenstein (1923 ~1997), Claes Oldenburg (b.1929) is one of the principal representatives of Pop Art. While all three artists sought toreach mass audiences by using everyday objects in their work, Oldenburg, by transforming two-dimensional objects into sculptural works, rejected existing authoritarian concepts and conventional ideas and suggested a purer function for art achieved throughfree aesthetic style and method. He popularized sculpture through his choice of materials and by adapting his work to the environment, and by employing techniques that blurred the boundary between sculpture.
Oldenburg's work served as a critique of the limitations of Modernism by approaching represented objects within a social context. Whereas most works by other Pop artists commented upon aspects of popular media and the consumer society, Oldenburg grafted wit and humor onto familiar and ordinary objects. In his early Happenings, his sculptural works integrated visual art, play, and environment in time and space. His soft sculptures of vinyl and cloth canceled out the original functions of the machines and commonplace objects that they represented. By creating objects on a monumental scale and presenting them in public spaces, Oldenburg encouraged his viewers to participate actively in experiencing and embracing them. At the same time, by exposing them to unfamiliar representations of these enlarged objects, he provided opportunities to reconsider the objects' significance.
Oldenburg's interest in the space and time that surround his works may be seen in his monumental projects from the early stage of his career. These monumental projects often shocked viewers through the imposition of disproportionate scale. Paradoxically, through the use of these over-sized works, Oldenburg increased the intimacy between art and the public.
Alternative Title
Popularity and Commonness in the Works of Claes Oldenburg
Alternative Author(s)
Kim tae-in
Affiliation
조선대학교 교육대학원
Department
교육대학원 미술교육
Advisor
김인경
Awarded Date
2005. 2
Table Of Contents
목차
ABSTRACT
Ⅰ. 서론 = 1
1. 연구의 배경 및 목적 = 1
2. 연구의 방법 및 범위 = 3
Ⅱ. 팝아트의 미술사적 배경 및 특징 = 5
1. 팝아트의 등장과 흐름 = 5
2. 팝아트에 나타난 대중성과 일상성 = 13
3. 대중매체의 특성을 활용한 팝 작가들 = 18
Ⅲ. 클래스 올덴버그 작품의 대중친화와 Large scale projects = 24
1. 일상성의 환기 = 24
2. 대중친화와 환경접근 = 28
3. Large scale projects = 32
Ⅳ. 결론 = 52
참고문헌 = 56
Degree
Master
Publisher
조선대학교 교육대학원
Citation
김태인. (2004). 클래스 올덴버그 작품에 나타난 대중성과 일상성의 재현에 관한 연구
Type
Dissertation
URI
https://oak.chosun.ac.kr/handle/2020.oak/4353
Appears in Collections:
Education > Theses(Master)(교육대학원)
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