https://oak.chosun.ac.kr/handle/2020.oak/16663 Thu, 28 Aug 2025 04:03:27 GMT 2025-08-28T04:03:27Z https://oak.chosun.ac.kr/handle/2020.oak/16686 Title: 필립스탁 실내공간에 나타나는 초현실주의적 표현에 관한 연구 Author(s): 김리현; 윤갑근 Abstract: This researcher could feel both visual impact and playful sensibility by Irregularity and expression characteristic grasped in Philippe Starck’s commercial space. This research tried to analyze Philippe Starck’s work from surrealism viewpoint. The thing recognized through Philippe Starck’s work is not reasonable and sensible way but impromptu and intuitive way in interior space expression. He gave a meaning and created a new value through impromptu and intuitive way. Also, Philippe Starck's interior work applying surrealism viewpoint can be divided by greatly two. First, it is distortion and collision, post fixedform, border ambiguity, and functional uncertainty in formal aspect. Second, it gave a big effect on interior space expression in semantic aspect through unfamiliar space, optical illusion effect, experimental space, and fantastic space. Hereafter, through that surrealistic tendency is embodied smoothly to various method in formal and semantic aspect in interior space, I expect that more lively research is continued. Tue, 31 Jul 2018 15:00:00 GMT https://oak.chosun.ac.kr/handle/2020.oak/16686 2018-07-31T15:00:00Z https://oak.chosun.ac.kr/handle/2020.oak/16685 Title: 물성활용을 통한 감성표현 디자인에 관한 패션스토어 공간연구 Author(s): 양성주; 윤갑근 Abstract: The purpose of this study is to analyze the characteristics of emotional space and to find out how it is approached. Emotional design according to the age of emotional consumption is the ultimate means of inducing emotion in indoor space, and we will analyze the design elements of emotional space by using material properties. With the added value of the materials and material expression, we explored and discussed how the representation of the spatial components and the physical properties of the materials around the existing fashion store is used, how they are projected into space, and how they induce emotional experience. As a result, it can be seen that the characteristics of a particular material, or perception, by its properties, are recognized by consumers as a way of expressing an artistic or installational artistic element in space. Therefore, this research is meaningful in analyzing the trends of emotional space design through physical expression into indoor fashion stores. Thu, 31 Jan 2019 15:00:00 GMT https://oak.chosun.ac.kr/handle/2020.oak/16685 2019-01-31T15:00:00Z https://oak.chosun.ac.kr/handle/2020.oak/16683 Title: 지역주의 건축의 조형특성에 관한 연구 : 알바 알토 작품을 중심으로 Author(s): 이유나; 윤갑근 Abstract: 연구배경 국내 80년대 산업발전에 따른 도시는 획일화 된 모습으로 변모함에 따라 각 지역의 정체성 탐구에 대한 과제가 떠올랐다. 도시재생 방법에 있어 소프트웨어적 방법뿐만 아닌 하드웨어적 접근방식의 중요성을 일깨우며, 이에 과거 20세기 모더니즘의 도시 획일화에 반해 지역의 정체성을 되찾고자 했던 ‘지역주의’를 선진사례로 삼고자 하며, 그중 알바 알토의 작품을 선진사례로 둔다. 연구방법 본 연구는 어떤 성격의 지역 정체성을 지역주의 건축적 조형특성의 방법으로 표현했는지에 대해 알바 알토 작품을 중심으로 연구한다. 선행연구를 통한 지역주의 개념과 건축특징을 도출하고 기존 알바 알토 건축 환경을 종합한 알바 알토의 지역주의 건축특징을 추출한다. 핀란드 실제 건축된 알바 알토 공공건축물 6곳을 선정, 분석함으로써 알바 알토 지역주의 건축 조형특징을 세분화한다. 연구결과 알바 알토의 지역주의 건축 조형특성은 전통성과 시대적 흐름의 반영이 융합적인 양상을 나타냈다. 또한, 공간의 기능에 따라 기능공간은 구조∙배치 중심으로 표현하였고, 문화공간은 실내 분위기∙장식으로 처리하여 공간의 성격에 따라 취사선택으로 표현했다. 결론 알바 알토는 융통성 있는 자세로 지역주의 건축의 조형특성을 표현하여 지역의 정체성을 이미지화하였고 일반적인 특성에 상징성을 부여한다는 점에 차별성을 두어 본 연구는 향후 국내 도시재생의 하드웨어적 방향성에 선진사례가 될 것으로 기대한다.; Background As cities have become uniform in the wake of industrial development in the 80s in Korea, challenges have emerged for the search for identity in each region. Recalling the importance of a hardware approach as well as a software method in urban regeneration, the government aims to take "regionalism" as an advanced case in which it sought to regain its regional identity against modernism in the 20th century. Methods This study focuses on Alvar Aalto's work on what character's local identity was expressed as a method of localism's architectural formative characteristics. Through prior research, the concept of regionalism and architectural characteristics are derived and the architectural characteristics of Alvar Aalto, which synthesizes the existing Alvar Aalto architectural environment, are extracted. It will select and analyze six Alvar Aalto public buildings that were actually constructed in Finland to refine the architectural modeling characteristics of Alvar Aalto's localism. Result Alvar Aalto's regional architecture features a fusion of tradition and the reflection of the trend of the times. Also, depending on the function of the space, the functional space was mainly represented by the structure and layout, and the cultural space was treated with indoor atmosphere and decoration, which was expressed as a cooking choice depending on the nature of the space. Conclusion Alvar Aalto is expected to become an advanced case in the hardware direction of urban regeneration in Korea, with the distinction that the local identity is imaged by expressing the shaping characteristics of regionalist architecture in a flexible manner and emulating symbolism in general characteristics. Wed, 31 Jul 2019 15:00:00 GMT https://oak.chosun.ac.kr/handle/2020.oak/16683 2019-07-31T15:00:00Z https://oak.chosun.ac.kr/handle/2020.oak/16684 Title: 동심화의 작품과 한지를 이용한 아트마스크 연구 Author(s): 이순영; 윤갑근 Abstract: Recently, Hallyu (the “Korean Wave”) has been shifting to K-beauty. With this, there should be extensive efforts to advertise ‘Korean Beauty’. The spread of work that contains the beauty of Korea is necessary for national growth and prosperity. Although there have been many studies on foreign artists, it’s been impossible to find a study on Korean artists. To spread the beauty of Korea as a part of art masks, this study has created a world of paintings with Hangeul (Korean alphabet) and chosen ‘Meongseok Kim Mun-tae’ , who has created a new art piece titled ‘dongsimhwa (childlike-heart painting)’. To make a painting feel incorporated with the works (‘tranquility 3, happiness 3, laugh’) that have been often titled in his collection titled ‘Geunyang (‘just’), creation of a 2D using hanji (traditional Korean paper) and dakjuk was attempted to present the formative feeling brought about by an object. ‘Tranquility 3’ was created based on marble and hand-painting techniques, using the properties of hanji. A 3D feel was expressed using dakjuk. In ‘Happiness 3’, the blue background, which symbolizes peacefulness, and the handwritten word of happiness were prepared with an atmosphere of happiness. In ‘laugh’, only colors and dakjuk were used to express the feeling of laughter in white cleanness. It is hoped that there would be further studies on the mixture of Korean beauty works with diverse materials. In addition, it would become a turning point to assess the endless growth potential in the art & beauty spheres and advertise the Republic of Korea across the world. Fri, 31 Aug 2018 15:00:00 GMT https://oak.chosun.ac.kr/handle/2020.oak/16684 2018-08-31T15:00:00Z